The Car Doctor

img_1214“…And then we had to find a place to sit because the phone rang and the man who had to answer it got really really busy and he told us he would be right back and so Daddy said why don’t we just sit down for a minute, so then we sat down and waited and waited, but I don’t remember what the clock said because I couldn’t tell time yet, but it was a long long time, but not as long as a whole movie.”

The word movie barely made it out. Max had to draw a breath before adding to his barrage of never ending verbiage. In that single second pause, I managed to both lock eyes with Cindy and glance at our own clock just long enough to note that the story had been unfolding across a long twelve minutes.

“Then we had get up from our seats and the car doctor put the Sienna on one of those big metal poles that makes the car go really really high in the air so you can see underneath. What is it called again?” Max wrinkled his nose and shrugged his shoulders, the final sentence ending in a squeak, just as it always does when capped with a question mark.

Cindy and I glanced at one another again, neither of us with anything close to a clue. “I’m not sure buddy,” I said, a bit embarrassed I didn’t know, but also a little glad. Though I love my son to see me as the Lord of all Vocabulary, my not knowing underlines the simple truth that we are all constant learners. “Why don’t we call it the car doctor pole,” I said.

“That’s a great idea, Dad!” Max agreed. I could swear his smile added 5 watts to the already bright bulb. “Then we had to walk home, but first we had to give the man the key and after we gave the man the key he said thank you and his manners were really great, and then we left the car doctor and we had to walk all the way home.” Max paused, lifting his little hand in front of his quickly growing face. He stared at his palm with all five fingers spread for about a second before lowering his thumb. “It was four blocks,” Max declared with a nod. “We walked four blocks from the car doctor and then we were back home.”

Mia, Cindy and I all waited, allowing the silence to settle, wanting to make certain this wasn’t one of the false finishes we’d already sat through several times before. “I’m done with my story,” Max sang more than said. We all clapped.

For fifteen minutes we’d listened as Max told us a teeny tiny tale elongated toward infinity about the time we had to take our car to the car doctor. The magic of his narrative didn’t lay in the details of his delivery, though they were abundant enough. It was in the fact that our little boy, a few days shy of his fifth birthday, was telling us about something that had happened to him two years earlier, when the scope of his vocabulary lay in three digits rather than five.

Max related the story with the eager enthusiasm I might have expected if we had just returned from the car doctor ten minutes earlier, but two years had done nothing to strip the immediacy. A born storyteller, my son was simply waiting for the right time to release his reams of waiting thoughts.

Memory is a remarkable thing.

Great storytellers deserve an audience and performers must never take their listeners for granted. My son has manners it seems that nothing, at least right now, can ever seem to melt.

“Thank you for being patient and listening to my story,” he said.

Thank you, Max.

Writer Dad

Max is turning 5 this week, next week we’re going to celebrate with you. He’s been dying to talk to the audience again since one second after the last time. I promised him for his birthday he could.

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Can I Read My WeeBook in Oz?

This is part three of four.  Click here for part one, or here for part two.

If you don’t like something change it; if you can’t change it, change the way you think about it. 

~Mary Engelbreit

I’ve tried my hand at WeeBooks.  Rubbed the sticks together, but fire’s never flared.  

This doesn’t concern me.  I’ll keep rubbing.  Eventually, I’m sure, I’ll be sweating from the inferno.   Even if I’m wrong, WeeBooks have been well worth their time and casual assessment.  

Every WeeBook so far released was pulled from a portfolio, previously gathering cobwebs.  I will not wait for discovery, and have no fear of burning through my best ideas. 

Thoughts are like air; surrounding every second, and backing every breath.

My brief experience with WeeBooks has been an education.  They’ve taught me to release on schedule, collaborate, and work inside various mediums.  Even considering the dim sales of Number One and Two it!, I’m as proud of those eight pages with David Wright, as anything I’ve done.

I do not believe, despite conventional wisdom, that publishing and self publishing are mutually exclusive.  I do believe, fervently, that I can create content for both mediums without cannibalizing myself.  

I see the dangers in POD (print on demand), I do not see them with WeeBooks.

We are riding the froth of the first wave to crash upon the shore of our new Renaissance.  New writers are born every day.  In a couple of decades they’ll share their words with a world which barely resembles our own.  I have three blogs in my reader from children; eleven, twelve, and thirteen.  The eleven year old has been blogging since he was eight, and doing it in two languages.  Rapid change is twisting our wind; we can hide in the basement, or hitch it to Oz.

My art has yet to meet the needs of my audience.  I recognize this, and endeavor to improve.  Readers are patrons, and I will find a way to pen something which occupies the space between whispering muse and audience needs.  

That, I believe, is Shangri-La for any artist. 

Without ads, I’ll need assistance to draw the full magic from Writer Dad.  Of course, every reader need not purchase, but I will require a small rotating percentage.  The wider the reach, the smaller the needed percentage. 

I could never please every potential buyer on a single Friday, but I can create differing content for various divisions within a single audience.  You might not care to read about compound interest, but your sister Sally in Saucalito might.  Perhaps you’ll gift a download to her, or wait until the release of Writer Dad’s Dozen Rules of Writing (that title, by the way, is entirely hypothetical).  

At a buck, WeeBooks are the price of a tip.  I don’t have a donate button, and won’t be placing one, but I can certainly draw a parallel.  Most of us don’t think twice for dropping our change in the jar when handed a cup of coffee.  I myself never tip less than twenty percent (unless service is dreadful), and tend to frequent where I’ve established banter.  

I see no reason to ignore this design.  I know there are others like me.

Tips come in all sizes.  A minute to comment, Stumble, or Digg, helps these gears to turn.  If you have the ear of a Darren, Seth, Skellie, or Leo; or someone else as forward thinking, and believe they might be interested in any of these ideas, please, pass them forward.

WeeBooks are different; not quite posts, not quite appropriate to send along the publishing path.  Time will tell if I’m mistaken, but I see no reason why a WeeBook, or something similar, won’t be standard in time.

Two weeks back, there was tremendous discussion about various sorts of WeeBooks.  I’d love to continue.  What sort would you like to see, if any, and is there a breed you’d be willing to buy?  If you believe this to be a model doomed to failure, and have a moment to tell me why, please do.

Thanks.

Writer Dad

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The Great Equalizer

This is perhaps the most beautiful time in human history; it is really pregnant with all kinds of creative possibilities made possible by science and technology which now constitute the slave of man – if man is not enslaved by it. 

~Jonas Salk, Polio slayer

Good morning, and happy Monday.  It’s an exciting week, good stuff on tap.

Today I’d like to talk about the new great equalizer by taking two previous posts from other writers and cook them up into a delicious Writer Dad dish.  First off, Hunter Nuttall previously discussed the varying values of an Ebook. Second, a few weeks ago, Men With Pens were discussing Real Authors.  Harry said, “If you write, you’re a writer. If you have a blog, consider yourself published. If you create an ebook, you’re an author.”

Harry, you’re dead on.

Though I know it seems like we’re already drowning in a sea of Ebooks, we are really only at the foot of the mountain, eyes turned skyward, searching for a peak that, at present, is only a suggestion.  And as the world keeps shifting, traditional publishers will find themselves on the fault lines of the new great equalizer.  

In the middle (dark) ages, information was controlled exclusively by the church.  People learned only what they were allowed, and things were generally pretty grim.  In 1439, Johanas Gutenberg invented movable type.  By doing so, he diverted the traffic of information between the overlords and the masses creating the first great equalizer of the written word.

Tomorrow’s history isn’t much different.

The internet took the ordained from our living room, and dropped them in the ring with intelligent men and woman around the globe who had nothing but opinions and an internet connection.  The same will happen to publishing.  

Here’s the math:

I’ve got a pile of children’s stories sitting on an agent’s desk.  They are now on their sixth week of an eight week stay, where at the end, I may not get so much as an email saying, “Thank you, but no.”  I do not take this personally. They accept five new clients a year, and they get three-hundred submissions a week.  

Best case scenario?  

We sign, and the ball starts rolling.  I’ll get partnered with an illustrator and the book will go into production.  A year later, I’ll see it sitting on an end cap at Barnes and Noble with a jacket price of $16.95.  10% of it mine.  

Now before I move to the future, allow me to clearly state.  I love traditional books and always will. They will be here forever and I will buy them as long as they are. They are beautiful and romantic and absolutely perfect in design.  Even if I’m rejected by the agency’s deafening silence, I have nothing against them or the industry in which their gears must turn.  

But I can smell milk when it’s starting to sour.

Okay, back to the future.  

We have the internet – the great equalizer, standing stolid against an industry of saber rattling, in a war that’s already over.  It makes me think of the battle between Blue-Ray and HD DVD.  

Either victor is the last of his tribe.

My kids aren’t going to be carrying around hard media; their world will be digital.  They’ll have versions of their favorite books in whatever media boxes we’re all carrying around in another five years (remember, technology years to regular years = dog years to human).  

When I was a kid, my sister plowed through every Babysitter’s Club book there was.  She loved them.  By the time Mia is reading her version of the same, she’ll be carrying her collection around in a digital format, like charms on a bracelet, even if she has a dog eared copy sitting on the shelf at home.  It’s difficult to imagine that within a few years of our immediate future, we won’t be seeing digital copies included with every hard purchase.  

This goes for all media.  It’s simple to do and makes perfect sense.  Fox, wisely, already understands Internet as equalizer and does this with many of their films.

If I want to write what I want to write, then I’ve entered the perfect situation at the perfect time.  

I’m sure that at some point, I’ll have books that go the traditional route.  I am simply too big a romantic to discard the notion of finding my work pulled lovingly from a shelf, purchased, then traded from one lover to the other, or handed from a mother to her son.  

My Grandma used to say, and she was right, “There’s a place for everything, with everything in it’s place.”  

When I leave my day job behind, I want to write. Chapter books and picture books; children’s adventures and long winded novels; short essays and long works of engaging non-fiction.  Some of these books will lend themselves very well to downloads, some of them would serve better as POD books, sold through a company like Lulu or Amazon.  

Yes, the price for the hard product is more if I do it myself, but there is no risk because there is no inventory, and I’m catering to my own audience that I can speak to everyday.  To me, that is a remarkable situation that has not been possible before.  How often do you think great writers have simply fallen off because they’re either trying to duplicate a prior success or hitch a ride on the perfect ebb of the current market flow.  

With the Internet as our new great equalizer, a writer can build a small but loyal audience who will be happy to see what he or she might pull from their brain next.  

I love this model: deliver a new project to a loyal fan base frequently, and keep the creativity dancing.

As far as value, I’ll try to find a price point that balances how involved a project was from conception to delivery, with value to the reader.  Some projects might be worth $2, others $20.  Right now, I’m toying with the idea of charging $100,000 for my novel, once it’s finally finished.  I see it as win-win.  I’ll only need to sell a single copy, and I will not be to open to ridicule.  

I’m sure someone could afford it, and the guy who does will declare it as genius, just to keep himself from looking like an idiot.

Anyway, this coming Friday, August 15, I’ll be announcing the title and release date of my first project.  I’m pretty excited.

Writer Dad

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