NaNoWriMo; Let the Marathon of Words Begin

“Beware the Jabberwock… the jaws that bite, the claws that catch… And hast thou slain the Jabberwock? Come to my arms, my beamish boy! Oh frabjous day! Callooh! Callay!  He chortled in his joy.”

~ Lewis Carol

Last year at this time, I was a few weeks into a novel, astounded to be there.  It was also the first time I started to read online, beyond the barrier of basic news and entertainment.  That was when I first heard of NaNoWriMo, or National Novel Writing Month.

What a wonderful concept; a marathon for our mind.  I cannot run twenty-six miles in a day, but I can write fifty-thousand words in a month.

Upon my finish, I don’t expect the printer to spit anything other than a super sloppy copy.  I imagine my ratio will be about one good page for every nine sheets of (shhhh… don’t tell anyone I almost swore on Writer Dad).  At that percentage, the month might leave behind a thirty page outline; one for each day of adventure.

I was gung-ho well before the email which sent me salutations, arriving just sixty seconds after sign up, with seven hundred words of zealous advice.

The cliff notes:

  • We don’t have to know where we’re going, so long as we get up and go.  Not every adventure needs a map, but without a hunger to see beyond the bend, our desires are fire waiting for ash.
  • Editing is for December.  November’s an experiment in pure output; a time to embrace our literary imperfections.  It’s for slipping off our shoes and wiggling our toes.  Perhaps so we can shove our socks inside the mouth of our inner nag.
  • We must inform anyone who will listen about our undertaking.  If they laugh, then we must repeat ourselves in a stronger voice.
  • Don’t even think about thinking of quitting.  Those who listened to our bold declarations will be expecting a finish.
  • Week Two can be hard. Week Three is much better. Week Four will make you want to yodel.

So I’m going to start writing a novel on Saturday, and will continue each day, writing without a map, until I reach my destination on the final day of the month.  I’ll silence my inner critic, declare my diligence, and see the story through until the very end.  Then, I will yodel.

I’ve set up a page for us nano’s to gather.  A tee-pee inside the village for us to pow-wow about our pages, endlessly whine, and fish for compliments.  More than anything else, the month should be merry.   A successful November doesn’t mean we write the great American novel.  It means we enjoy our moments, and end with a draft to diddle in December.

Writer Dad

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Shocking

Even when I’m old and wrinkled, lying in bed wanting to do nothing but eat candy and complain about everything, I’ll still consider one of the biggest surprises of my life as the one that happened nearly one year ago:

The shocking discovery that I was writing a book.

Writing a novel wasn’t in my schedule.  In fact, a year ago, I barely wrote down my shopping list.  Last year, with little reason and less warning, I started to write.  The first thing I tapped out was a short story about…well that doesn’t matter.  It was terrible; a real embarrassment to the tongue.  It was about fifty pages long; maybe ten were good.  Of the ten that were good, about three were great.  

Two of those were amazing.  

I remember thinking that, though the story was hideous on every conceivable level, there was some fuse tangled up in the filthy little mess that I wanted to spark. 

So I did. 

I lit it and let it burn for three and a half months, all the way until it detonated in the last week of December.  My short story had grown into a five-hundred page behemoth.  Wow, I thought.  Now what am I going to do with all this?

Back in October, when I first realized that the first short story that I’d ever written was slowly morphing into the first novel I was ever going to write, it was the oddest epiphany, and one I’ll never forget. 

I never planned on becoming a writer, but then there it was in front of me like a color you can’t argue with.  

I took a break in January and wrote a handful of children’s stories, reading them to the children during daylight and to Daisy by the stars.  They were fast, fun, and the total opposite of what I’d been doing.

In February, I picked up the novel and cleaned up the language.  I tend to be wordy.  It’s probably my biggest weakness as a writer, other than having a tendency for truly terrible analogies (I mean terrible, like – I should probably just wipe my hard drive now before I die and someone discovers them and then also dies, but from laughing at my idiocy – terrible).  I added a couple of terrific elements to the draft while trimming it by a neat hundred pages.  I finished the second draft on the last day of March and expected to begin the third on the first day of May.

It’s July and I’m just getting started. 

Instead of starting to rewrite as soon as the April fell from the calendar, I did something I hadn’t yet done.  

I read my book. 

Reading and writing are not the same exercise.  I needed to read my document – straight through, without stopping every two minutes to tinker.

Did I like what I read? 

Sure, some of it.  Some of it I hated, and some of it I thought was immature in an almost staggering way. 

Some of it, though, I thought was fantastic.  

Since I wrote the book on accident, I’d never given thought to an outline, so I’ve spent the last couple of months taking notes and gathering ideas.  I started writing a couple of weeks ago and it feels amazing.  

There’s an old Greek fable about a ship that sails off to War.  The ship is gone for so long that by the time it returns, every sail and board have been replaced.  Is the ship that returns to Greece the same ship that left?  If it has the same frame, designed by the same engineer, and is sailed by the same captain, then I would have to say that it is indeed the same ship.  

The second draft added to the story.  The third cleaned it up.  This one tears it apart sentence by sentence, then strings them back together. 

I can’t wait to see what it looks like when it’s all finished.

Writer Dad

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